Many have already heard, perhaps others were not interested in taking it as too strident, as soon as I heard and what I have been investigating and analyzing all its extravagance. I can not miss this time that many of us are concentrated in this fourth production of The Mars Volta and select it as the disc of the week. Showing my observations and reslatando their evidence, as this disc is infinitely surveyable.

In the first instance all heard you should know that this record is not a collection of songs, but rather a single concept where the main character is a ouija which speaks in the first person, as well explained Alfredo. I doubt that a méndiga table talk but neither opto that all this is a publicity stunt, I would rather look at this as a great way to tell a story where delve into biblical concepts and historical literary works to bring dark intelligent beyond 666.

Bedlam in Goliath would be something like chaos or entropy in Goliath; had an asylum who are well known in London that the former for an idea. Goliath, as sure you know, is that mythical be philistine (hence the name comes Palestine) defeated by David. Well, before you start to decode some of the terms which appear in titles and the lyric. It should be very clear that Omar Rodriguez Lopez quizo add elements of the religion as a santera African alleged protection to the band.

The first song takes its name from Aberinkula which is a tool much like the Nigerian báta closely linked to the Yoruba ethnic group and religion. Then comes angel Metatron which is a very mentioned in the Jewish religion, that their work is to be the type of events in Israel. Ilyena I think it is a female angel autistic living in transilvania (the source is not very reliable). Simulacra because of the Latin plural of sham or copy or imitation. Cavaletta is the subsequent movement of Cantabile in Italian opera aria. Agadez is the largest city in Niger. In Askepios I imagine related to Asklepios, who is the Greek god of medicine and immortality, say that revivía the dead, is the son of Apollo. Ouroborous is a former símblo represented by a dragon that eats its own tail forming a circle; this symbol represents renewal, the infinite, Nietzsche is used to represent the idea of eternal return… And those are just the titles of the songs not say the other terms such as Oblivion, where most of the rockers of this size want to go, that they stopped work.

As you can see is a disk full of where his lyrical content is so crípitica as the Bible itself. A very attractive content at the same time very repulsive, a sound overly strident but well justified. Fairly comprehensive, covering all areas, certainly a black diamond full of mystery.

Well, we already have with that for hours of entertainment and interpretation, not counting all the elements that give it its own identity, as the Latin percussion and entries and traits that avalanche as containing bone Toltecs (Wax Simulacra). They show that once again content to continue driving a magisterial level.

Adentremonos now to the technical level, as these gentlemen do not follow the rules. Yes, they do what they want and what they do is incredible collectively. TMV is a body descariado but with a harmony and a collective consciousness quite well fitted in itself. Of course this is very hard trick on the part of engineers Robert Carranza and Rich Costey yet to devise those sounds should be taken as a troop with that count.

All we know that John Frusciante (red hot chili peppers) is an accomplice over this band, so I will focus more on Thomas Pridgen, whom I consider a key part of this training. It is a real beat-box break-beat. If you know someone who loves the drum’n bass recomiendenle TMV. Such is not human, it might have made some pact as he spoke with the ouija dichosa of Canaan (jaja). Then this Marcel Rodriguez-Lopez who conceives worthy percussion afrontillana that draws my attention, listen to the last part of Ilyena. Or Goliath where rhythmic make an excellent duo.

Goliath begins at 8 / 4 to 1 / 8 or quaver, mistimed, when the 0:54 minute change by increasing the untimely quaver of a black (1 / 4). Let’s say that the swing that has such recognizable and metrics that enters the 3:50 minute, is a typical metrics afronantillana therefore be measured in 6 / 8. They arrive at 4:30 minutes and is converted to 4 / 4; something very rare. The best way is to be measured in 4 / 4 from the outset so that the change will not be as drastic. This is yet another example of the rich musical show where his genius and ingenuity when it comes to composing.

Do not think that ceases to pass ropes and Omar Rodriguez Lopez, our protagonist, along with John Frusciante could overshadow a Tom Morello at the time of wanting inovar techniques. It clearly note the school Boricua Omar not to mention their metal riffs and Ouroborous or Wax Simulacra. And to say that it does touch funkero in Ilyena. Its very cacofónicos alone, dissonant, but designed perfectly rhythmic and handled intelligently in the form of the charge of the DSP’s, Paul Hinojos.

An original image by Sonny Kay desbancando a Storm Thorgerson from Amputechure. They recruit a whole chamber orchesta of its service to its eccentric arrangements peregrinantes a grim Middle East (Soothsayer). A complex concept dye film of terror. A work more on the mind of these offenders.

This is the record of the week Acidconga